Prokofiev's first and fifth symphonies couldn't be more different in style, juxtaposing neoclassical frivolity with war-driven passion. Thomas Søndergård is very much at home with the symphonies of ...
Fifty years after his death, the integration of Prokofiev's music into our concert life is still lumpy and uneven. A few reliable standbys maintain their place as cornerstones of the repertoire, while ...
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